Dissonance is about time: our relatively brief time and geological or ‘deep’ time.
Until recently, both existed independently. Both have…
LENDON/BEER’s THE MASS is the latest collaborative work by Emma Beer and Nigel Lendon
The void is a multifaceted concept, not simply of presence and absence, but a place that exists between distinct worldviews, is occupied by meaning and is imbued with personal, historical and ancestral significance
For artist, art historian and now collector Martyn Jolly, the magic lantern shows that came to prominence in the mid nineteenth century were much more than just the antecedent of today’s PowerPoint presentation
Anneka Losik describes her collection as a ‘mishmash of things that she loves’ and what she loves is everything pop culture
Emeirely Nucifora-Ryan investigates the many phenomena of glass through the use of astronomical imagery
Budawang (of Yuin Nation) spatial designer Dr Danièle Hromek with mother, Robyn Hromek and sister Siân Hromek, draw on their…
From ‘eco’ to ‘FIFO’. From high-value to high-vis. This art installation encompasses the complex political, environmental and fundamentalsocial issues that are occurring right now and for the visible future
For 90 years the Horticultural Society of Canberra has been there to inspire, educate—and sometimes console—Canberra gardeners and their backyard efforts.
Fifty years ago, landing on the moon required a vehicle not designed for this world, so the Apollo Lunar Module was born
After buying and restoring ‘Old Graham’ House at Hovells Creek, John and Liz Baker began to collect all sorts of colonial and Australiana items to fill it.
Canberra has a special relationship with activism as it is not only the location of protest on local issues but…
Redfining Leadership is an Exhibition from Women with Disabilities ACT with photography by Akka Ballenger Constantin
Meredith Hinchliffe is one of CMAG’s longest standing donors. Through her annual financial gift, CMAG has been able to acquire significant works by designers, artists and craftspeople of the Canberra region.
This exhibition is inspired by the Empress Joséphine, Napoléon Bonaparte’s first wife, and the extraordinary collection she amassed at the Château de Malmaison from 1800 to 1814.
Alongside his practice as an artist and art-historian, Nigel Lendon has been an inveterate and purposeful collector of, amongst other things over 200 plastic cameras
Described as electrifying, vital and avant-garde, Marian Hall Best was the most flamboyant Australian interior designer of the 1950s through to the 1970s