Flow Line draws out cross generational connections between the twelve artists represented in the exhibition
The fires that swept through the suburbs of Canberra in 2003 were the first serious threat experienced in the history of the city
Just what is it that made 19th century magic lantern slides so enchanting, magic and powerful? Watch a live demonstration…
Dissonance is about time: our relatively brief time and geological or ‘deep’ time.
Until recently, both existed independently. Both have…
The void is a multifaceted concept, not simply of presence and absence, but a place that exists between distinct worldviews, is occupied by meaning and is imbued with personal, historical and ancestral significance
For artist, art historian and now collector Martyn Jolly, the magic lantern shows that came to prominence in the mid nineteenth century were much more than just the antecedent of today’s PowerPoint presentation
Emeirely Nucifora-Ryan investigates the many phenomena of glass through the use of astronomical imagery
Budawang (of Yuin Nation) spatial designer Dr Danièle Hromek with mother, Robyn Hromek and sister Siân Hromek, draw on their…
From ‘eco’ to ‘FIFO’. From high-value to high-vis. This art installation encompasses the complex political, environmental and fundamentalsocial issues that are occurring right now and for the visible future
Meredith Hinchliffe is one of CMAG’s longest standing donors. Through her annual financial gift, CMAG has been able to acquire significant works by designers, artists and craftspeople of the Canberra region.
This exhibition is inspired by the Empress Joséphine, Napoléon Bonaparte’s first wife, and the extraordinary collection she amassed at the Château de Malmaison from 1800 to 1814.
Sidney Nolan is one of Australia’s most acclaimed but enigmatic artists.
Christmas is a season of giving and receiving, but should we consider how much we accumulate and how these objects can start to loom too large in our imagination.
A captivating exhibition that offers an overview of the broad range of approaches to art making taken by a new generation of practitioners working in Europe today
Delight in the virtuosity of 24 local glass artists who were each invited to make a single letter of the alphabet as a small sculptural object
Over the past four years artist Trevor Dickinson has been on a quest to find and photograph every one of Canberra's distinctive concrete bus shelters
Marilou Chagnaud’s The wave machine makes dynamic use of black and white lines to reflect the constant movement experienced in the natural environment