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Mandy Martin From Queanbeyan to New York charts the shifts in Martin’s practice between1978 to 1984, from the sensitive gouaches of her near neighbours and friends, to the expressive drama of the paintings that speak to her deep concern for the environment.
Mixed media installation ‘hand/made/held/ground’ (2019) metaphysically maps Croft’s patrilineal relationship to Country, reimagining customary objects jimpila (spearhead) and kurrwa (stone axe) originally created on Gurindji homelands.
Celebrating the artistic friendship of Melbourne artists Ethel Spowers and Eveline Syme, Spowers & Syme presents the changing face of interwar Australia through the perspective of two remarkable women artists
The Open Collections gallery is a unique space within CMAG. It’s a place for the…
On Saturday 1 February CMAG hosted our first Youth Climate Forum. This event was in association with the exhibition, High-Vis …
As part of the exhibition Activism: Forces for Change in Canberra, curated by Rowan Henderson, Gail Radford gave a…
I was inspired by Tony Abbott. Watching his 2013 election night victory speech … I knew with a deep certainty…
