Through reference to the theme of temporality in both local systems and global phenomena - from the Canberra light rail…
Julie and Andrew Carter share an affinity for Australiana ceramics, yet as a husband and wife duo they have amassed vastly different collections
In any city there are certain signs and places you walk past all the time—the milk bar, a record store…
Australians love grass; kicking a footy, running under a sprinkler, having a barbeque in the backyard and spending time in the garden
r.a.m.p. (risk assessment management plan) is presented as a site-specific installation in the Ramp Showcase by emerging artist Tom Campbell
Artist Richard Lewer responds to the war memorials that line ANZAC Parade in this work installed as part of the…
Wendy Whitham received her first fan as a child from her aunt and uncle after they returned from a trip overseas, but it wasn’t until decades later that she started collecting fans herself
For Sidney Nolan, his boyhood home of the Melbourne bayside suburb of St Kilda was ‘My kitsch heaven’
Flow Line is a term used in the oil industry that describes the behaviour of liquid forces as they move together
Bringing together works of art, and social history objects from the CMAG collection, Crafting Canberra explores how the Canberra community…
As a city initiated as an imagined capital for the new Australian nation, Canberra has been a place that quickly invited visual representation
Dissonance is about time: our relatively brief time and geological or ‘deep’ time.
Until recently, both existed independently. Both have…
In the early 1950s, a group of 150 young German men left the security of their homeland and the comfort of their families to travel halfway around the world to a small city called Canberra.
Artists’ books are part of most artists’ vocabulary, either as drawings bound together, illustrated diaries or a response to a place, time, political or historical event, or personal emotion
LENDON/BEER’s THE MASS is the latest collaborative work by Emma Beer and Nigel Lendon
The void is a multifaceted concept, not simply of presence and absence, but a place that exists between distinct worldviews, is occupied by meaning and is imbued with personal, historical and ancestral significance
For artist, art historian and now collector Martyn Jolly, the magic lantern shows that came to prominence in the mid nineteenth century were much more than just the antecedent of today’s PowerPoint presentation