Broaden your understanding and perceptions of what we considered as ‘outer space’
How Soon is Now? brings together a selection of Bruce Reynolds’ exquisite cast relief works with two-dimensional collaged linoleum works.
Seven contemporary artists each create a group of ceramic vessels that can display flowers but challenge the idea of a vase.
This exhibition celebrates two of Canberra's most influential artists, Hiroe Swen and the late Cornel Swen who, together, led a uniquely creative life in this region.
In 1924, there were around 3,000 people living in Canberra, with about half of them involved in construction projects to build the new capital city. Many of those people were Scots.
Witness the unfolding of Canberra’s healthcare history in this unique project at Canberra Museum and Gallery (CMAG).
In collaboration with…
In August 1978, Sidney Nolan created a series of 31 crayon pastel drawings based on the events of Marcus Clarke’s 1874 convict novel, For the Term of His Natural Life.
Reefinity is a transdisciplinary research project investigating material science (ceramic technology), ecology, digital design, and manufacturing.
Nathan Nhan's work draws on the material history of ceramics, where vessel forms are imbued with powerful narrative devices.
This exhibition is a first-hand account of how one of Canberra's best loved examples of mid-century modern architecture, the 'Round House' came to be designed, built and made into a home.
In Shades of Shadows, contemporary glass artist Hannah Gason continues her exploration of light and its ability to both articulate and create an illusion of space.
In the CMAG foyer display, a selection of sculptures from the CMAG collection reflect Jan Brown's journey as a maker of artworks
From technical innovation to celebration and commemoration, this special temporary exhibition curated by the Royal Australian Mint explores how the…
View Sidney Nolan's monumental nine panel work Riverbend
Backyard Archaeology tells the story of thousands of small objects that Steve Brown collected from around an ordinary suburban house and garden.
What does the adage ‘truth to materials’ mean today? When does a sculpture become a functional design object?
This exhibition brings together never-before-seen objects and images from the house, families, woolshed and dairy that made up this extensive early estate.