Mixed media installation ‘hand/made/held/ground’ (2019) metaphysically maps Croft’s patrilineal relationship to Country, reimagining customary objects jimpila (spearhead) and kurrwa (stone axe) originally created on Gurindji homelands.
Mandy Martin From Queanbeyan to New York charts the shifts in Martin’s practice between1978 to 1984, from the sensitive gouaches of her near neighbours and friends, to the expressive drama of the paintings that speak to her deep concern for the environment.
Celebrating the artistic friendship of Melbourne artists Ethel Spowers and Eveline Syme, Spowers & Syme presents the changing face of interwar Australia through the perspective of two remarkable women artists
The whimsical concept behind the imaginary microcosm presented within the glass walls of CMAG on the Square is that these creatures have, over time, evolved from discarded musical instruments
The Nolan Collection is an iconic group of paintings from 1945 to 1953 by Sidney Nolan that the artist gifted to the nation in 1974
The Young Nolan Project is a new initiative where an individual school is invited to work on an extended program and present their resulting art to the public