Two Heads presents a series of new and recent paintings by Dean Cross in the Nolan Gallery at Canberra Museum and Gallery.
Join Canberra Museum and Gallery for an illustrated talk with Sophie Heath, Director of the Nolan Trust, as part…
Step inside the world of Sidney Nolan and discover how one of Australia’s most iconic artists became a household name.
Before television dominated popular media from the early 1970s, colourful magazines were an ever-present fixture on the coffee tables and in canteens and waiting rooms across Australia
What lies beneath the mask?
Witness conservators and scientists turn detective as they investigate Nolan’s best-known Kelly paintings with cutting-edge…
Join Marianna Del Castillio in creating your own sculptural bird figure
Explore the rich intersection between visual art and theatrical design in Australia
Inspired by Sidney Nolan’s magnificent lyrebird, this hands-on workshop invites kids to design and make their very own wearable animal mask using cardboard and a mix of fun, recycled materials.
Do you love animals, costumes and drawing?
The title Prologue signals a beginning—this new moving image work by Canberra-born, Worimi artist Dean Cross marks the start of…
Join us for CMAG's Open Day and Celebrate 50 Years of the Sidney Nolan Collection!
For aspiring young performers and stage designers! Get inspired by the stage and costume designs by Sidney Nolan and create your own unique set design.
A solo piano concert series featuring ARIA Award–winning artists David Bridie and Sophie Hutchings
Sidney Nolan always understood artmaking could transcend the boundaries of a picture frame. Throughout his life, he worked with a wide circle of creative collaborators to produce striking designs for opera, ballet, and theatre.
Gifted to the people of Australia by Sir Sidney Nolan in March 1975, this nationally significant group of 24 early…
Australia’s most famous silent film, lost for decades and painstakingly reconstructed from incomplete versions and NFSA stills.
A discussion about the changing perceptions and understandings of Australia's convict past and how museums deal with this confronting history.