For 90 years the Horticultural Society of Canberra has been there to inspire, educate—and sometimes console—Canberra gardeners and their backyard efforts.
Fifty years ago, landing on the moon required a vehicle not designed for this world, so the Apollo Lunar Module was born
After buying and restoring ‘Old Graham’ House at Hovells Creek, John and Liz Baker began to collect all sorts of colonial and Australiana items to fill it.
Redfining Leadership is an Exhibition from Women with Disabilities ACT with photography by Akka Ballenger Constantin
Canberra has a special relationship with activism as it is not only the location of protest on local issues but…
Meredith Hinchliffe is one of CMAG’s longest standing donors. Through her annual financial gift, CMAG has been able to acquire significant works by designers, artists and craftspeople of the Canberra region.
This exhibition is inspired by the Empress Joséphine, Napoléon Bonaparte’s first wife, and the extraordinary collection she amassed at the Château de Malmaison from 1800 to 1814.
Alongside his practice as an artist and art-historian, Nigel Lendon has been an inveterate and purposeful collector of, amongst other things over 200 plastic cameras
Described as electrifying, vital and avant-garde, Marian Hall Best was the most flamboyant Australian interior designer of the 1950s through to the 1970s
The ANU Design Unit was first established in 1954 to design and manufacture furniture for a steadily growing Australian National University
It’s been flying on our flag poles for 25 years but how much do you know about the Canberra flag?
Christmas is a season of giving and receiving, but should we consider how much we accumulate and how these objects can start to loom too large in our imagination.
A captivating exhibition that offers an overview of the broad range of approaches to art making taken by a new generation of practitioners working in Europe today
Spring is here but snow is still falling at CMAG
Over the past four years artist Trevor Dickinson has been on a quest to find and photograph every one of Canberra's distinctive concrete bus shelters
Marilou Chagnaud’s The wave machine makes dynamic use of black and white lines to reflect the constant movement experienced in the natural environment
This exhibition reveals the stories behind the major art and design commissions at Australian Parliament House